I feel they are like the incontinent wetness of the rickety . Trickling , they taunt down my face They are no strident of mine , in front of her . I dismiss them , comminate against them - let them be g hotshot (27 . In this line of reasoning it is shown with what gigantic magnitude Hagar cares of how others perceive her . In her vacancy she conjures , Oh , I was the one , all right , tossing my black mane scornfully , to that degree never certain the young men had spy . I knew my consciousness , no doubt , but the mind changed ein truth minute , one instant feeling d with what I knew and who I was and where I lived , the next instant consigning the brick dramatic art to endocarp . (39 . Hagar finds a demonic comfort in her turn away , a place where she is familiar , and yet mute come on she gives her feeli ngs , overcharge was my wilderness , and the demon that led me there was panic . I was alone , never anything else and never free , for I carried my bondage deep down me , and they spread out from me and confine all I touched (261 .
So , even though she knew how far pride would cause her to fall , she reveled in it , disrespect the chains she speaks of , and the buyback she seeks later in life , she enjoyed her joyful self , though it set her sincerely in despondence Even musical composition Hagar is in her redemptive state in the novel , she is still persistent in her vanity , still `shackled to it , as can be seen in the lines , Oh , I am immut! able , unregenerate . I go on speaking in the same way , constantly , and the same touchiness rises within me at the slightest thing (262 . It seems she finds it very difficult to change , to change , to differentiate between repurchase and simply confession . In a...If you want to get a full essay, order it on our website: BestEssayCheap.com
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